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27 September 2009 @ 07:39 am




Exlusive: Austin Nichols Wants Brulian To Get Married!

In just one season, Austin Nichols’ Julian had quite the evolution on One Tree Hill. When he first showed up, fans worried he’d play homewrecker to Leyton’s finally-back-on relationship. Instead we ended up with perhaps the most dedicated boyfriend Sophia Bush’s Brooke has ever seen and a new leading man for the show’s seventh season.

TeenDramaWhore: What was your reaction when you found out you were being promoted to a series regular?

Austin Nichols:
Fear. To be perfectly honest, I didn’t want to do it. The thing about a television series is that you have to have faith that the material is going to be good. Because all you know is episode 1. You have no idea what episode 2-22 will contain. But after many conversations with my captain Mark Schwahn, I felt better about signing up.

TDW:
Why do you think the audience has taken such a liking to Brooke and Julian?

Nichols:
Because when we look at each other, volcanoes erupt, the earth quakes, and glitter falls from the sky.

TDW:
I know I was particularly touched by Julian’s closeness with Sam (Ashley Rickards). Do you want to see him and Brooke have a family?

Nichols:
Children!!! Absolutely. I want a litter. A whole team of little Brookes and Julians. Twins. Black ones. White ones. Brown and yellow too. Remember the show, JUST THE TEN OF US? We are going to remake that show with Brooke and Julian and their 8 kids.

TDW:
Is there any storyline you’d like to see Julian face?

Nichols
: I would like to tackle marriage. The aforementioned children. And I want to see Julian make a movie. I think it would be outstanding to make a short film and release it on the internet. A film by Julian Baker. Or by Austin Nichols.

TDW:
With the return of Julian’s dad [Episode 7.02, What Are You Willing To Lose], will we learn more about Julian’s past?

Nichols:
Well, absolutely. The most brilliant thing they could do when writing the third INDIANA JONES: The Last Crusade, was introduce Indy’s father. That glimpse into Indy’s past and to see how his behavior changes around his dad is revelatory. A guy who could have any woman, any artifact, and defeat any foe, becomes a little boy in the presence of Sean Connery. Families with checkered pasts tend to spend the present repairing that damage.

TDW:
What’s one thing that’s easy about working on a show like OTH and one thing that’s difficult?

Nichols:
Easy: no traffic here. Hard: living without In-N-Out Burger.

TDW:
You’re signed on to star in Pedestrian, which is being made by Hilarie Burton’s company, Southern Gothic Productions. What’s it like working with her in a non-OTH capacity?

Nichols:
PEDESTRIAN is a great script. And Lincoln Booth is one of those characters that doesn’t come around all that often. Working with Hilarie is a piece of cake. She is sharp and quick and a great leader.

TDW:
Tell me more about your character, Lincoln Booth. What attracted you to the role?

Nichols:
I can’t really say anything about my character except that something deep inside me started to rumble when I read him. This is either a really good sign or a disaster. We shall see!!!! :)

TDW:
You have a creative writing degree and were an avid water-skier growing up. Are these two things still a part of your life?

Nichols:
I am constantly writing. Some ideas soar. And others crash. Right now, it’s a story of a young woman who finds herself pregnant with no money and no one to depend on. She moves out to the desert to start over. I occasionally jump on some skis and do a few flips. Don’t want to forget how. But my mom [Kay Nichols] just won her 15th national title, after beating cancer a few years back.

TDW:
You also have a big interest in film. What’s one mainstream movie and one lesser-known movie you’ve seen recently?

Nichols:
500 Days of Summer is very creative. Right up my alley. Also, in the video store scene, they placed one of my DVDs right in the middle of the two actors. I was delighted. Haha!! Humpday was very interesting. Anvil! The Story Of Anvil is a brilliant rock doc. I enjoyed many parts of Inglourius Basterds. Christopher Waltz should have statues built in tribute to his performance.

TDW:
Have you thought about getting an official Twitter account?

Nichols: Twitter? What’s twitter? Sounds like a term for a titty twister.


Teen Drama Whore



 
 
24 June 2009 @ 03:45 pm




SEA LEGS
 
There once lived a man named Alfred.
No one called him Al.
And no one called him Fred.
But he asked everyone to call him Red. 
Even though his hair was dark dark mahogany brown.

He preferred the sea to land.  Spent most of his time on boats.
Alone.  Throwing nets.  Casting. Swimming. Diving. Spearing. Speeding. Cruising.
His hair and skin was always salty and dogs loved him.  Loved to lick the salt from his skin.

He was shy and rarely spoke to girls.  Although sometimes he would find one on his boat.  A young mermaid perhaps.  Who had flopped up on deck.  He would spear a fish and cook it up fresh for her.  Snapper grilled with garlic and lime.  Or he would dive for conch and make fresh conch salad right on deck.  The maids liked him on the sea.  But no one liked him on land. 
On land, Alfred walked with a limp and spoke with a stutter.  There was a hitch in his gate, a twitch on his face, and a fly that would follow him all over the place. 

Needless to say, land lubbers stayed away.  Kept him at bay.  Threw him away. 
Tossed him like trash.  Never paid in cash.

But for some reason, when he left his land legs behind, and sailed for blue water, Red came alive.  Pirate. President and CEO of the Atlantic.  Primary stockholder of fish and wave.  MVP of rigging and knots.  Four stars for bravery and a purple heart because his heart actually was purple.
Maybe someday, the right mermaid, he may hook.  Not from any book.  Or fairytale.  But a real, scale and fins, mermaid.  Long, beautiful, salty hair, concealing her....  Well you know.

And when that day comes, she will take him away.  He will be the Tom Hanks to her Daryl Hannah.  And finally he will get his wish.  To live and breathe among the fish.
your faithful servant,

wild turkey

SoGoPro

 

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Saturday, May 9, 2009

ITALY VIA TEXAS

I got my heels back in Texas dirt on Thursday.
It feels good to be back on my native soil.

The homeland.

The Mother-Country.

Humid as all get-out. Curly hair. Incredibly gracious people.
Almost as nice as Canadians. God I love Canadians.

As soon as I landed I saw the most beautiful image.

I pulled into a gas station to fill up and a little black
sedan swept up to the pump across from me.

A gorgeous young blond lass jumped out of her car with a
colorful summer dress on. She was tan and beautiful.

And as she trotted over to the store I spied her bare feet
and as she walked away from me and her feet kicked up in
my direction, I was charmed by her dirty, oil-stained soles.

I was in my home-town and homesick all at once.
I have never seen a barefoot woman walking around a dirty
gas station in Los Angeles.

God Bless Texas.

The other wonderful thing that happened...

My father and I were attacked by a giant swan. Quite a day!!!

And from here, I am taking a plane to Rome, Italy.
It is the country I have dreamt of visiting for many many years.

I will travel all over. Eat the greatest cuisine.
Wear incredible sunglasses. Soak up wonderful artwork.
Daydream amongst brilliant architechture.

And whistle at beautiful Italian women.

Please share the secrets of Italy, anyone who has been.

I need to know the secret spots and handshakes.

your faithful servant,

austin nichols

SGP


 

 
 
30 April 2009 @ 10:18 pm





Thursday, April 30, 2009

GO EAST

By not exalting the talented you will cause the
people to cease from rivalry and contention.

By not prizing goods hard to get, you will cause
the people to cease from robbing and stealing.

By not displaying what is desirable, you will cause
the people's hearts to remain undisturbed.

Tao Teh Ching
-Lao Tzu


I have only just begun to read this work.
This is the beginning of the third chapter.

I have nothing really to say about it,
except that it has, in a very brief period,
already had quite an impact on the way I
treat people, myself, how I understand my
beliefs, concerns, and convictions.

The way I organize my life, or un-organize it,
the way I hurl myself through space, or just
let myself be hurled.

I think everyone could take away something
from this writing. :)

your faithful servant,

wild turkey


SGP


 

 
 
04 April 2009 @ 03:08 pm



Friday, April 3, 2009

HARVEY THE BUNNY

everyone needs a friend
even if they're eight feet tall and furry
everyone needs a listener
even if they drink til everything goes blurry

harvey was a bunny
he could be funny
no one could hear him
but one tall man who was slim

the whole world thought him crazy
Elwood P. Dowd
an inconsequential drunk
just a face in the crowd

a lunatic
a no-name
a has-been
a never-was

or...

a prophet
a priest
an angel
a dreamer...


your faithful servant,

austin nichols 

SGP
 

 
 





Thursday, March 26, 2009

THE MAN IN BLACK

We got married in a fever
Hotter than a pepper sprout
We've been talkin' about Jackson
Ever since the fire went out

I'm goin' to Jackson
I'm gonna mess around
Look out Jackson Town

-Rodgers, Wheeler

I feel some connection to the man in black. Johnny Cash.
J.C. Jesus Christo. I usually wear black myself.
Every car I ever owned was black. I like fast cars and
faster women.

Guitars slung around the back.

And women named after months.

Mr. Cash has become incredibly inspirational to
me for Lincoln Booth.

I don't know why.

It doesn't really make sense. And it doesn't have to.
People often ask me why I feel a certain way.

Why? Why? Why? And nowadays, my answer is...

"IT DOESN'T MATTER. I JUST DO!!"

"How do you know?" That's my other favorite
question these days. My answer...

"I JUST KNOW!!!!"

But something about that song JACKSON,
when John and June sang it, there is something in
there that knocks me out. It's like a bolt of lightning
struck my skull and penetrated straight to my heart.

Did a song ever do that to you?

What is it?

Name it.

It makes me want to cry and scream and laugh
and love a woman real real hard. All at once.

It makes me want to scream from the rooftops.
I hope everybody's been doin' some of that lately.

Get to it.

But more and more, people ask me questions and
I have learned to not answer them. Cause I can't
really speak the answer. But I feel it. And I do know it.

When something inspires you, it just does.
You don't have to describe it. In fact, I say, DON'T!!!!!

your faithful servant,

austin nichols

SGP


 

 
 
19 March 2009 @ 12:30 pm

</div>

SGP

Screencaps

Transcript:

[Text reads: “Austin’s SoGoprah’s Book Club Pick!”]

Austin Nichols: [holds up book] This is “The Fountainhead.” This is not Southern Gothic but I don’t care. It’s incredible and I believe it’s a must for any artist. It’s about idealism, and the price of compromise. It’s incredible. So I’m going to read a passage that I find hilarious. This is actually when, um… [looks at camera] Okay, stop. [fades to later] This is when Howard Roark, our idealist, the young architect, goes to meet and ask for a job from his sort of, hero, Henry Cameron, who is now sort of a disenfranchised architect who doesn’t… He was a big name, and he was brilliant, and had the world at his fingertips and became difficult, and doesn’t get any jobs anymore, and Roark goes to ask him for a job. So, this is a great passage. Starting with Henry Cameron to Howard Roark, [reading from “The Fountainhead”]

“ ‘When did you decide to become and architect?’

‘When I was 10 years old’

‘Then you don’ know what they want so early in life. You’re lying.’

‘Am I?’

‘Don’t stare at me like that. Can’t you look at something else? Why did you decide to become an architect?’

‘I didn’t know it then but it was because I didn’t believe in God.’

‘C’mon. Talk sense’

‘Because I love this earth. That’s all I love. I love the shape of things on this Earth. I want to change them.’

‘For whom?’

‘For myself.’

‘How old are you?’

‘Twenty-Two.’

‘Where did you hear all that?’

‘I didn’t.’

‘Men don’t talk like that at 22. You’re abnormal.’

‘Probably.’

‘I didn’t mean it as a compliment.’

‘I didn’t either.’

‘Got any family?’

‘No.’

‘Work through school?’

‘Yes.’

‘In what?’

‘In the building trades.’

‘How much money have you got left?’

‘Seventeen dollars and thirty cents.’

‘When did you come to New York?’

‘Yesterday.’

Cameron looked at the white pile under his fist. ‘God damn you,’ Cameron said softly, ‘God damn you, Roark!’ Cameron, suddenly leaning forward, ‘I didn’t ask you to come here. I didn’t need any draftsmen. There’s nothing here to draft. I don’t have enough work to keep myself and my men out of the Bowery Mission. I don’t want any full visionaries starving around here. I don’t want the responsibility. I didn’t ask for it. I never thought I’d see it again. I’m through with it.’

‘I was through with that many years ago. I am perfectly happy with the drooling adults I have here who have never had anything, and never will. It makes no difference what becomes of them. That’s all I want.’

‘Why did you have to come here? You’re setting out to ruin yourself, you know that, don’t you? And I’ll help you do it. I don’t want to see you. I don’t like you. I don’t like your face. You look like an insufferable egotist. You’re impertinent. You’re too full of yourself. Twenty years ago I would have punched you in the face with the greatest of pleasure. You’re coming to work here tomorrow at nine o’clock sharp.’

‘Yes,’ Roark said, rising.

‘Fifteen dollars a week, that’s all I can pay you.’

‘Yes.’

‘You’re a damn fool. You should have gone to someone else. I’ll kill you if you go to anyone else! What’s your name?’

‘Howard Roark.’

‘If you’re late, I’ll fire you.’

‘Yes.’ Roark extended his hand for the drawings.

‘Leave these here!’ Cameron bellowed, ‘Now, get out!’”

 [Austin looks at camera] That’s the fountainhead.

[Text reads: “Austin Nichols really wants you to go get ‘The Fountainhead’!”]

Source

 

 
 




Monday, March 9, 2009

RESPONSE TO NICK GRAY

I am an actor.
I am Lincoln Booth.
I am Austin Nichols.

Today I have three auditions in Los Angeles.
I have three different sets of clothes and shoes
in my car.

I got my hair jelly. PO made. Not Fop.

I'm a Dapper Dan Man. Three different hair
styles and three costume changes in one day.
Three appointments in three completely scattered
locations. One hour spaced between them.
In LA traffic, this amount of time is not ample.

Yell at agent later.

Throw an apple in the car. A tangerine.
A Clif Bar. Cashews. Anything in the pantry
to munch on while en route.

Wardrobe quick change, like in the theatre, except
I'm also piloting a car on the 405 freeway, nearing
77 miles-per-hour. Fast enough to not be late,
slow enough to avoid law enforcement. Change shoes
at a stop light. Throw the jeans in the back seat.
Grab the black slacks.

Oh shit, I'm not wearing underwear.

I wonder if anyone can see me.
I look to my right. Two girls in a Prius.
Both in stitches. Chuckling like hyenas.
Hybrid Hyenas. Good band name.

They can see everything God gave me.

I turn bright red. No. That's a lie. I smile.
I loved it. Nudist. Exhibitionist. I hit the gas.
They gave me a farewell honk. I wish I could meet them.
They were cute. Shit, focus. Character. Auditions.
Emotion. Starving. Eat a hard-boiled egg.
Egg shells fly out the window, land in the Blvd..

Thank you, Joan Didion.

Wait, I am Lincoln Booth. Not Cory, the jock.
Not Sam, the tortured guy. Not Brad, the boy next-door.
Wait, I am all of those. But I don't want to be right now.

I am Lincoln Booth. But I can't be.
I need to be Crosby, the record producer.
For just an hour, stay with Crosby, then you can go back to Lincoln.

I drift back to unexpected driving nudity.
What would have happened if I was driving through
West Hollywood when I had to switch trousers?

Brilliant!

Arrive at destination. No place to park. Shit, I'm late.
Drive around until someone leaves. Pull in.
Don't pay meter yet. Will pay in a second.
Quick rehearsal.

Pedestrian POV

A small Korean woman walks by my car.
Inside the car, she sees a tall, naked man,
crying and yelling intenesely into the rearview
mirror. She books it!!!

A white parking enforcement hybrid pulls in
front of my car. Angry black woman. Oh shit.
I didn't pay the meter yet. I jump out of the car
to plead my case. Shit. I'm still naked.
In the act of throwing on slacks.

No shirt or shoes. I say...

Crosby
I'm so sorry....
No...

Lincoln
I was just about to pay...
No...

Austin
(smiles wide)
Good mornin, sugar. I am so sorry. I was
just about to throw a couple quarters in your meter.
I apologize for my semi-nudity. I've had a crazy
morning. You know how it is.

Meter Maid
If you think you're gettin out of this, you are sorely
mistak... Wait a minute... Were you in The Day After Tomorrow?


I'M GONNA LET YOU OFF WITH A WARNING!!


your faithful servant,

austin nichols


Souther Gothic Productions

Read Nicholas Gray's post "A Pedestrian Journey" here

 

 
 




Wednesday, February 25, 2009

FROM THE ROOFTOPS

"I'm mad as hell, and I'm not gonna take it anymore!"
-paddy chayefsky -- NETWORK

"Look out music city, cause here I am and I ain't never leavin!"
-carol heikkinen -- THE THING CALLED LOVE

I am pretty in love with shouting from the rooftops.

Whether it be about revolution, career, dreams, or love,
I think people should spend more time shouting from
the rooftops.

Directors Sidney Lumet and Peter Bogdanovich nailed
it in their movies.

I have yelled from apartment windows in Manhattan,
screamed from the tops of tall buildings in Austin.

Lately, I howl like a werewolf in Los Angeles.

Usually from a balcony or deck overlooking all the twinkling
lights of Hollywood at night. My newest desire is
to shout from a tall building in every city I set foot in.

And I am urging all of you to do the same.

One time I was walking down a dark, quiet street in
Manhattan, and out of the sky, I heard...

MAN
I'M GONNA DO IT! I'M REALLY
GONNA DO IT!!

Quit his soul-sucking job and pursue his dream?
Ask a girl to be his bride?

There was so much hope behind those words, that he inspired me.
A man I never saw or spoke to.

Maybe he just finally decided to get new drapes.

Go to the window now. Or the roof. Or climb a tree.
It doesn't matter.
Just get as high as you can and shout as loud as you can.
Whatever it is that you dream about.
Or whoever you love.
Yell it from the rooftops for all to hear.

And do it often.

And for Godsakes, do it at night.

Romance, people. Romance!!!

Somewhere in our film, Lincoln or Mona, or both,
must shout from the rooftops. I am going to shout from
the rooftops, baby!!!

And I am Lincoln Booth!!!

your faithful steed,
austin nichols

post script: what are all the other films with
great rooftop shouting scenes?

Southern Gothic Productions
 

 
 

Sunday, February 8, 2009

MONA MILLS THROUGH THE EYES OF LINCOLN BOOTH

     Mona Mills is the kind of girl that a man only meets
once in his life.  I am hesitant to use the word girl, not
because she isn't a girl, but because that great
four-letter-word doesn't encompass the entire MONA.  She
is also a woman. She is a lady. She is a broad. She is a
dame.  She is a damsel in............

  She drives a rickshaw around Manhattan, speaks in a
tongue that only a handful of humans can understand.
She has the spirit of Kate Winslet's,Clementine Kruczynski,
from Eternal Sunshine of the Spotless Mind. Also, Annie
Potts', Iona, from Pretty in Pink.

  She will treat a perfect stranger like a best friend,
pick up a hitchhiker just to hear his story, drop a
television in the ocean just to see the splash, and
then dive in and retrieve it so it doesn't pollute
the Atlantic.

  Mona Mills deserves her alliterative name.  Few
deserve such a priveledge.  Characters in novels and drama
and cinema often carry alliterative names.  Comic books
have exhausted the device.  Clark Kent, Peter Parker,
Lex Luthor...

  Mona Mills is a woman that lives up to the hype.
She can back it up.  Tromp through the mud, scale sheer
cliffs, fjord rivers and bound over tall mountains.

  From the moment one meets Mona Mills, one is struck by
her eccentricities.  Her confidence is over-whelming,
bordering on nuisiance, but quickly forgiven.

  We forgive the beautiful easily for their shortcomings,
as long as they are kind and sincere.  Mona Mills could
kick a puppy, but her laugh and her regret could mend
war-torn nations.  But never forget that just underneath
that confident exterior lies a very sensitive pixey.

  And reading Mona Mills on a page is just as
mind-boggling as meeting her for the first time.  So the
great question is...

  Who is the actress, so rare and special, that can play
Mona Mills?

  Who is our whimsical, magical beauty?  (Beck lyric)

  Please share your ideas....

Your Faithful Servant,

Austin Nichols

post script:  I just read what I wrote and none of it makes
any sense, but with Mona Mills, that makes a lot of sense.
Farewell.

Southern Gothic Productions

 
 
05 February 2009 @ 09:53 am



Wednesday, February 4, 2009

MY NAME IS AUSTIN NICHOLS AND I AM LINCOLN BOOTH

A smart, beautiful producer lady handed me a script
one day.  Her name is Hilarie Burton.

The script, PEDESTRIAN.

People hand me a lot of scripts and most of the time,
they are less than extraordinary.

This script was light years beyond extraordinary.
After I read the opening monologue, I sent the pretty
producer lady a text message.  It said something like
this.

"WHEN DO WE START?!!!"

Then I went home to finish reading and found pages 3-117
to be far richer and more illuminating
than pages 1 and 2.  I have been called many things, but
"careful" is not one of them.  My whimsical
approach is usually always rewarded, but not what others
would recomend or call, "fruitful."

But I believe that it is the only way to be.

The only way for me.

And it proved fruitful that day.

Our scribe, a man called Nicholas Gray, posesses a
wisdom far beyond his young years.  His characters'
tongues are sharp as knives, their journey's devastating
and inspiring, full of fun and fancy.

The pretty producer lady asked me 67 times if I was
serious about doing the movie.  You can't fault her for
that.  This business is full of fickle frauds.

She just wasn't used to the chivalrous, strong, honest,
straight-forward, my-word-is-stronger-than-oak, Texas
gentlemanly promise that I handed her. And I understand,
it's quite intimidating.  

:)

Interestingly enough, Lincoln Booth, the character
I play, is founded on the same kind of Southern ideals,
but he is all dressed up and covered in New York fancy
schmancy, hiding behind the lens of his camera, not
focused on his own beating heart.  And then...

Enter Mona Mills...

Stay tuned...

Next time more about Lincoln Booth and Mona Mills.

They may be the next Jack and Rose, or Romeo and
Juliet.

Your Faithful Servant,

Austin Nichols

Southern Gothic Productions

 
 
18 December 2008 @ 07:12 am

Austin talks about writing, acting, his projects and One Tree Hill.

Read the interview here: MyFanbase.de

 
 
24 October 2008 @ 11:42 am

Exclusive Interview: Austin Nichols of 'One Tree Hill'



Lucas' small-town life will be shaken up in a big way on this Monday's episode of One Tree Hill.  The new installment, fittingly titled "Our Life is Not a Movie or Maybe," finds an interesting character named Julian Baker coming to town.  Julian is a hotshot movie producer looking to turn An Unkindness of Ravens into a major motion picture, but the fact that he has a past connection with Peyton may lead to trouble.  Actor Austin Nichols (John from Cincinnati, Friday Night Lights) plays the snarky Hollywood bigwig, and he's currently contracted to appear in 10 episodes this season.

I recently had a chance to sit down with Austin to discuss his role on the show, as well as his thoughts on the upcoming noir episode written by Chad Michael Murray.
 

This is Don from BuddyTV and today I'm talking to Austin Nichols, who plays Julian on One Tree Hill.  I was wondering if you could talk about how the role on One Tree Hill came about?


Yeah, I don't know.   I mean, Mark Schwahn kind of called and said they were interested, but they didn't know if I would be interested.   I went in and had the meeting with him and I fell in love with the guy, the guy is really, really smart and he's a great writer.   We started talking about this guy named Julian Baker, who is a movie producer and comes to town to buy Lucas' book and make it into a movie.  Anyway, I really liked the way he described the character.  He's kind of like Jack Nicholson, he's this funny, snarky kind of guy you love to hate.  So I said heck yeah man, that sounds fun.


Is he going to cause some trouble for Lucas and Peyton on the show?

Yeah, I think he's going to cause trouble for a lot of people.  [laughs]  But definitely those two, and he may cause some trouble for Brooke and who knows who else.


What was it like going on set?  The people on that show have been together for six seasons.  Was that weird, or was it pretty natural?

I've never been in this situation before and it is a little weird.  Like you said, they've been here six years, they're in the sixth season.   Everybody is very close, they know each other very well, they've been through a lot.  Yeah, it is weird, you kind of feel like an outsider.  But everybody has been really nice and I've become friends with everybody.  They made it pretty easy on me.


What has it been like working with the One Tree Hill cast members so far?

It's been great.  Everyone's been really nice to me and this town is really fun.  Wilmington, North Carolina is really, really fun.  I'm living at the beach and it's been great.  I bump into people from the show out at restaurants and bars and stuffs.  Yeah, I don't have any complaints.   I don't miss L.A. at all.


Are you filming the noir episode right now that Chad Michael Murray wrote?

Yeah, we just finished that episode.


What was that experience like?

Oh, it was really fun.  I think that's going to be quite a treat for the viewer, kind of like dessert for the audience.  Obviously, everybody who watches the show is very used to it -- it'll be the same characters and similar storyline, but in a completely different period with different hair and clothes and cars, and different manners of speech.   I think the audience is going to really dig it.


What kind of role is Julian going to play in that universe?

When we get to that episode, I've really just arrived and Lucas is pretty unsure about me and angry with me.  In this dream sequence of his, this dream episode of his, I am a henchman. [laughs]


Having worked with producers and directors over the years, has that helped you get into character?

Yeah, for sure.  If I didn't work in the field I worked in, I would have no idea what a producer is or what a producer does.  I remember when I first started acting I literally asked this question a hundred times: “What is a producer?  What do they do?”  I had no idea.   And now I definitely have an intimate understanding of what a producer does.   It's still a strange profession, but it definitely lent lots of ideas to playing Julian.


Does your character want to turn his book into an indie movie, or is it a big a Hollywood movie?

No, it's a studio movie.  I've got a studio interested and I buy the book and I go and get the studio attached.  I tell the studio executives about this writer and how great this book is, and they sign off on the deal.  It's going to be a studio movie.


I was a big fan of your role on Friday Night Lights last season.

Oh, good.


I know that set is more improvisational and different to work on.  What was that experience like compared to One Tree Hill or John from Cincinnati?

Yeah, on One Tree Hill we definitely stick to the words on the page.  Definitely have more people coming up to you saying, “Yeah, but the line is written like this.” [laughs]  And I've always, in every job I've ever done, kind of tailored it to something more comfortable to me.  I've always had a lot of leeway and freedom, I've been really lucky.  This is the first time where I've had a lot of people coming up to me telling me to stick to the book.  That's been weird, but I'm fine with it, I totally get it.


I was reading online that you have a degree in creative writing, is that right?

That's right.  My major was English and my emphasis was student learning.


Do you want to move into writing in the future, is that something you want to do?

I write, I'm always sort of writing.   I wish that I actually wrote more but I spend so much time -- I make a living as an actor, obviously, so I don't write every day.   I've always wanted to write every day and spend more time writing, but I find it hard because I spend so much time reading scripts and developing characters.  I'm actually writing a movie right now, but I don't have any sort of plans.   I really enjoy writing, I love writing, I think it develops me as an actor as well and somehow makes me more well-rounded in filmmaking and stuff like that.   I just really love to write, and someday I hope to make something that I write.


Do you have any other projects aside from One Tree Hill coming up that you'd like to talk about?

Oh yeah, there's this movie The Informers, which is fantastic.  You can watch a trailer online at YouTube or whatever.  It's an incredible movie from a Bret Easton Ellis novel.  It has Kim Basinger and Billy Bob Thornton and Winona Ryder, Mickey Rourke.  The cast is just endlessly -- there's like ten more people who are fantastic actors and big names.  I think the movie is going to come out in February.


Is that movie going to be as twisted as other Ellis adaptations like American Psycho or The Rules of Attraction?

Yeah, definitely.  [laughs]   It's very twisted, it's very, very dark.


Buddy TV

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